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| 21. |  | Title: Romance on a global stage: pen pals, virtual ethnography, and "mail-order" marriagesAuthor: Constable, Nicole Published: University of California Press, 2003 Subjects: Anthropology | American Studies | Asian American Studies | Postcolonial Studies | Sociology | Gender Studies | Gender StudiesPublisher's Description: By the year 2000 more than 350 Internet agencies were plying the email-order marriage trade, and the business of matching up mostly Western men with women from Asia, Eastern Europe, and Latin America had become an example of globalization writ large. This provocative work opens a window onto the complex motivations and experiences of the people behind the stereotypes and misconceptions that have exploded along with the practice of transnational courtship and marriage. Combining extensive Internet ethnography and face-to-face fieldwork, Romance on a Global Stage looks at the intimate realities of Filipinas, Chinese women, and U.S. men corresponding in hopes of finding a suitable marriage partner. Through the experiences of those engaged in pen pal relationships - their stories of love, romance, migration, and long-distance dating - this book conveys the richness and dignity of women's and men's choices without reducing these correspondents to calculating opportunists or naive romantics. Attentive to the structural, cultural, and personal factors that prompt women and men to seek marriage partners abroad, Romance on a Global Stage questions the dichotomies so frequently drawn between structure and agency, and between global and local levels of analysis. [brief]Similar Items | | 22. |  | Title: Japanese American celebration and conflict: a history of ethnic identity and festival, 1934-1990Author: Kurashige, Lon 1964- Published: University of California Press, 2002 Subjects: History | American Studies | Asian American Studies | Californian and Western History | ImmigrationPublisher's Description: Do racial minorities in the United States assimilate to American values and institutions, or do they retain ethnic ties and cultures? In exploring the Japanese American experience, Lon Kurashige recasts this tangled debate by examining what assimilation and ethnic retention have meant to a particular community over a long period of time. This is an inner history, in which the group identity of one of America's most noteworthy racial minorities takes shape. From the 1930s, when Japanese immigrants controlled sizable ethnic enclaves, to the tragic wartime internment and postwar decades punctuated by dramatic class mobility, racial protest, and the influx of economic investment from Japan, the story is fraught with conflict. The narrative centers on Nisei Week in Los Angeles, the largest annual Japanese celebration in the United States. The celebration is a critical site of political conflict, and the ways it has changed over the years reflect the ongoing competition over what it has meant to be Japanese American. Kurashige reveals, subtly and with attention to gender issues, the tensions that emerged at different moments, not only between those who emphasized Japanese ethnicity and those who stressed American orientation, but also between generations and classes in this complex community. [brief]Similar Items | | 23. |  | Title: What is this thing called jazz?: African American musicians as artists, critics, and activistsAuthor: Porter, Eric (Eric C.) Published: University of California Press, 2002 Subjects: Music | History | United States History | American Studies | African American Studies | American Music | Contemporary Music | JazzPublisher's Description: Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black. [brief]Similar Items | | 24. |  | Title: Pioneer urbanites: a social and cultural history of Black San Francisco Author: Daniels, Douglas Henry Published: University of California Press, 1991 Subjects: American Studies | African American Studies | Social Problems | California and the West | United States HistoryPublisher's Description: The black migration to San Francisco and the Bay Area differed from the mass movement of Southern rural blacks and their families into the eastern industrial cities. Those who traveled West, or arrived by ship, were often independent, sophisticated, single men. Many were associated with the transportation boom following the Gold Rush; others traveled as employees of wealthy individuals.Douglas Daniels argues for the importance of going beyond the written record and urban statistics in examining the life of a minority community. He has studied photographs from family albums and interviewed members of old black San Francisco families in his effort to provide the first nuanced picture of the lives of black San Franciscans from the 1860s to the 1940s. [brief]Similar Items | | 25. |  | Title: As we are now: mixblood essays on race and identityAuthor: Penn, W. S 1949- Published: University of California Press, 1998 Subjects: Ethnic Studies | Native American Studies | American Studies | Cultural Anthropology | Social Problems | United States HistoryPublisher's Description: The thirteen contributors to As We Are Now invite readers to explore with them the untamed territory of race and mixblood identity in North America. A "mixblood," according to editor W.S. Penn, recognizes that his or her identity comes not from distinct and separable strains of ancestry but from the sum of the tension and interplay of all his or her ancestral relationships. These first-person narratives cross racial, national, and disciplinary boundaries in a refreshingly experimental approach to writing culture. Their authors call on similar but varied cultural and aesthetic traditions - mostly oral - in order to address some aspect of race and identity about which they feel passionate, and all resist the essentialist point of view. Mixblood Native American, Mestizo/a, and African-American writers focus their discussion on the questions indigenous and minority people ask and the way in which they ask them, clearly merging the singular "I" with the communal "we." These are new voices in the dialogue of ethnic writers, and they offer a highly original treatment of an important subject. [brief]Similar Items | | 26. |  | Title: Zapata lives!: histories and cultural politics in southern MexicoAuthor: Stephen, Lynn Published: University of California Press, 2002 Subjects: Latin American Studies | Anthropology | Sociology | American Studies | Ethnic Studies | Latin American History | Politics | Postcolonial StudiesPublisher's Description: This richly detailed study chronicles recent political events in southern Mexico, up to and including the July 2000 election of Vicente Fox. Lynn Stephen focuses on the meaning that Emiliano Zapata, the great symbol of land reform and human rights, has had and now has for rural Mexicans. Stephen documents the rise of the Zapatista rebellion in Chiapas and shows how this rebellion was understood in other parts of Mexico, particularly in Oaxaca, giving a vivid sense of rural life in southern Mexico. Illuminating the cultural dimensions of these political events, she shows how indigenous Mexicans and others fashioned their own responses to neoliberal economic policy, which ended land reform, encouraged privatization, and has resulted in increasing socioeconomic stratification in Mexico. Mixing original ethnographic material drawn from years of fieldwork in Mexico with historical material from a variety of sources, Stephen shows how activists have appropriated symbols of the revolution to build the contemporary political movement. Her wide-ranging narrative touches on the history of land tenure, racism, gender issues in the Zapatista movement, local political culture, the Zapatista uprising of the 1990s and its aftermath, and more. A significant addition to our knowledge of social change in contemporary Mexico, Zapata Lives! also offers readers a model for engaged, activist anthropology. [brief]Similar Items | | 27. |  | Title: God, Harlem U.S.A.: the Father Divine storyAuthor: Watts, Jill Published: University of California Press, 1992 Subjects: History | United States History | Christianity | American Studies | African American Studies | African StudiesPublisher's Description: How did an African-American man born in a ghetto in 1879 rise to such religious prominence that his followers addressed letters to him simply "God, Harlem U.S.A."?Using hitherto unknown materials, Jill Watts portrays the life and career of one of the twentieth century's most intriguing religious leaders, Father Divine. Starting as an itinerant preacher, Father Divine built an unprecedented movement that by the 1930s had attracted followers across the nation and around the world. As his ministry grew, so did the controversy surrounding his enormous wealth, flamboyant style, and committed "angels" - black and white, rich and poor alike.Here for the first time a full account of Father Divine's childhood and early years challenges previous contentions that he was born into a sharecropping family in the deep South. While earlier biographers have concentrated on Father Divine's social and economic programs, Watts focuses on his theology, which gives new meaning to secular activities that often appeared contradictory. Although much has been written about Father Divine, God, Harlem U.S.A . finally provides a balanced and intimate account of his life's work. [brief]Similar Items | | 28. |  | Title: Race music: black cultures from bebop to hip-hopAuthor: Ramsey, Guthrie P Published: University of California Press, 2003 Subjects: Music | American Music | American Studies | Popular Music | United States History | Ethnomusicology | African American StudiesPublisher's Description: This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family gatherings with food and dancing, and jam sessions at local nightclubs. This lays the foundation for a brilliant discussion of how musical meaning emerges in the private and communal realms of lived experience and how African American music has shaped and reflected identities in the black community. Deeply informed by Ramsey's experience as an accomplished musician, a sophisticated cultural theorist, and an enthusiast brought up in the community he discusses, Race Music explores the global influence and popularity of African American music, its social relevance, and key questions regarding its interpretation and criticism. Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct - possessing its own conventions, performance practices, and formal qualities - each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed. Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation. [brief]Similar Items | | 29. |  | Title: Los Angeles and the automobile: the making of the modern cityAuthor: Bottles, Scott L Published: University of California Press, 1987 Subjects: American Studies | Californian and Western History | Urban Studies | United States History | American StudiesPublisher's Description: More comprehensive than any other book on this topic, Los Angeles and the Automobile places the evolution of Los Angeles within the context of American political and urban history. Similar Items | | 30. |  | Title: Empire and revolution: the Americans in Mexico since the Civil WarAuthor: Hart, John M. (John Mason) 1935- Published: University of California Press, 2002 Subjects: History | Latin American History | United States History | American Studies | Latin American StudiesPublisher's Description: The deep relationship between the United States and Mexico has had repercussions felt around the world. This sweeping and unprecedented chronicle of the economic and social connections between the two nations opens a new window onto history from the Civil War to today and brilliantly illuminates the course of events that made the United States a global empire. The Mexican Revolution, Manifest Destiny, World War II, and NAFTA are all part of the story, but John Mason Hart's narrative transcends these moments of economic and political drama, resonating with the themes of wealth and power. Combining economic and historical analysis with personal memoirs and vivid descriptions of key episodes and players, Empire and Revolution is based on substantial amounts of previously unexplored source material. Hart excavated recently declassified documents in the archives of the United States government and traveled extensively in rural Mexico to uncover the rich sources for this gripping story of 135 years of intervention, cooperation, and corruption. Beginning just after the American Civil War, Hart traces the activities of an elite group of financiers and industrialists who, sensing opportunities for wealth to the south, began to develop Mexico's infrastructure. He charts their activities through the pivotal regime of Porfirio Díaz, when Americans began to gain ownership of Mexico's natural resources, and through the Mexican Revolution, when Americans lost many of their holdings in Mexico. Hart concentrates less on traditional political history in the twentieth century and more on the hidden interactions between Americans and Mexicans, especially the unfolding story of industrial production in Mexico for export to the United States. Throughout, this masterful narrative illuminates the development and expansion of the American railroad, oil, mining, and banking industries. Hart also shows how the export of the "American Dream" has shaped such areas as religion and work attitudes in Mexico. Empire and Revolution reveals much about the American psyche, especially the compulsion of American elites toward wealth, global power, and contact with other peoples, often in order to "save" them. These characteristics were first expressed internationally in Mexico, and Hart shows that the Mexican experience was and continues to be a prototype for U.S. expansion around the world. His work demonstrates the often inconspicuous yet profoundly damaging impact of American investment in the underdeveloped countries of Latin America, Asia, and Africa. Empire and Revolution will be the definitive book on U.S.-Mexico relations and their local and global ramifications. [brief]Similar Items | | 31. |  | Title: Blood politics: race, culture, and identity in the Cherokee Nation of OklahomaAuthor: Sturm, Circe 1967- Published: University of California Press, 2002 Subjects: Anthropology | Cultural Anthropology | Native American Studies | Native American Ethnicity | African American StudiesPublisher's Description: Circe Sturm takes a bold and original approach to one of the most highly charged and important issues in the United States today: race and national identity. Focusing on the Oklahoma Cherokee, she examines how Cherokee identity is socially and politically constructed, and how that process is embedded in ideas of blood, color, and race. Not quite a century ago, blood degree varied among Cherokee citizens from full blood to 1/256, but today the range is far greater--from full blood to 1/2048. This trend raises questions about the symbolic significance of blood and the degree to which blood connections can stretch and still carry a sense of legitimacy. It also raises questions about how much racial blending can occur before Cherokees cease to be identified as a distinct people and what danger is posed to Cherokee sovereignty if the federal government continues to identify Cherokees and other Native Americans on a racial basis. Combining contemporary ethnography and ethnohistory, Sturm's sophisticated and insightful analysis probes the intersection of race and national identity, the process of nation formation, and the dangers in linking racial and national identities. [brief]Similar Items | | 32. |  | Title: Immigration and the political economy of home: West Indian Brooklyn and American Indian Minneapolis, 1945-1992 Author: Buff, Rachel 1961- Published: University of California Press, 2001 Subjects: Ethnic Studies | American Studies | Native American Studies | Native American Ethnicity | United States HistoryPublisher's Description: Rachel Buff's innovative study of festivals in two American communities launches a substantive inquiry into the nature of citizenship, race, and social power. Drawing on ethnographic fieldwork as well as archival research, Buff compares American Indian powwows in Minneapolis with the West Indian American Day Carnival in New York. She demonstrates the historical, theoretical, and cultural links between two groups who are rarely thought of together and in so doing illuminates our understanding of the meaning of home and citizenship in the post-World War II period. The book also follows the history of federal Indian and immigration policy in this period, tracing the ways that migrant and immigrant identities are created by both national boundaries and transnational cultural memory. In addition to offering fascinating discussions of these lively and colorful festivals, Buff shows that their importance is not just as a form of performance or entertainment, but also as crucial sites for making and remaking meanings about group history and survival. Cultural performances for both groups contain a history of resistance to colonial oppression, but they also change and creatively respond to the experiences of migration and the forces of the global mass-culture industry. Accessible and engaging, Immigration and the Political Economy of Home addresses crucial contemporary issues. Powwow culture and carnival culture emerge as vital, dynamic sites that are central not only to the formation of American Indian and West Indian identities, but also to the understanding modern America itself: the history of its institution of citizenship, its postwar cities, and the nature of metropolitan culture. [brief]Similar Items | | 33. |  | Title: Cold War orientalism: Asia in the middlebrow imagination, 1945-1961Author: Klein, Christina 1963- Published: University of California Press, 2003 Subjects: American Studies | United States History | American Literature | Asian American Studies | Asian StudiesPublisher's Description: In the years following World War II, American writers and artists produced a steady stream of popular stories about Americans living, working, and traveling in Asia and the Pacific. Meanwhile the U.S., competing with the Soviet Union for global power, extended its reach into Asia to an unprecedented degree. This book reveals that these trends - the proliferation of Orientalist culture and the expansion of U.S. power - were linked in complex and surprising ways. While most cultural historians of the Cold War have focused on the culture of containment, Christina Klein reads the postwar period as one of international economic and political integration - a distinct chapter in the process of U.S.-led globalization. Through her analysis of a wide range of texts and cultural phenomena - including Rodgers and Hammerstein's South Pacific and The King and I, James Michener's travel essays and novel Hawaii, and Eisenhower's People-to-People Program - Klein shows how U.S. policy makers, together with middlebrow artists, writers, and intellectuals, created a culture of global integration that represented the growth of U.S. power in Asia as the forging of emotionally satisfying bonds between Americans and Asians. Her book enlarges Edward Said's notion of Orientalism in order to bring to light a cultural narrative about both domestic and international integration that still resonates today. [brief]Similar Items | | 34. |  | Title: Jazz culturesAuthor: Ake, David Andrew 1961- Published: University of California Press, 2002 Subjects: Music | American Music | Jazz | Ethnomusicology | American Studies | African American Studies | JazzPublisher's Description: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz Cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes. [brief]Similar Items | | 35. |  | Title: For those who come after: a study of Native American autobiography Author: Krupat, Arnold Published: University of California Press, 1989 Subjects: Native American Studies | AutobiographyPublisher's Description: Drawing on the life stories of Native Americans solicited by historians during the 19th century and, later, by anthropologists concerned with amplifying the cultural record, Arnold Krupat examines the Indian autobiography as a specific genre of American writing. Similar Items | | 36. |  | Title: Mexico's mandarins: crafting a power elite for the twenty-first centuryAuthor: Camp, Roderic Ai Published: University of California Press, 2002 Subjects: Politics | Latin American StudiesPublisher's Description: This groundbreaking study marks the culmination of over twenty years of research by one of this country's most prominent Mexico scholars. Roderic Ai Camp provides a detailed, comprehensive examination of Mexico's power elite - their political power, societal influence, and the crucial yet often overlooked role mentoring plays in their rise to the top. In the course of this book, he traces the careers of approximately four hundred of the country's most notable politicians, military officers, clergy, intellectuals, and capitalists. Thoroughly researched and drawn from in-depth interviews with some of Mexico's most powerful players, Mexico's Mandarins provides insight into the machinations of Mexican leadership and an important glimpse into the country's future as it steps onto the global stage. [brief]Similar Items | | 37. |  | Title: Buddha is hiding: refugees, citizenship, the new AmericaAuthor: Ong, Aihwa Published: University of California Press, 2003 Subjects: Anthropology | American Studies | Asian American Studies | Gender Studies | Urban Studies | Sociology | ImmigrationPublisher's Description: Fleeing the murderous Pol Pot regime, Cambodian refugees arrive in America as at once the victims and the heroes of America's misadventures in Southeast Asia; and their encounters with American citizenship are contradictory as well. Service providers, bureaucrats, and employers exhort them to be self-reliant, individualistic, and free, even as the system and the culture constrain them within terms of ethnicity, race, and class. Buddha Is Hiding tells the story of Cambodian Americans experiencing American citizenship from the bottom-up. Based on extensive fieldwork in Oakland and San Francisco, the study puts a human face on how American institutions - of health, welfare, law, police, church, and industry - affect minority citizens as they negotiate American culture and re-interpret the American dream. In her earlier book, Flexible Citizenship, anthropologist Aihwa Ong wrote of elite Asians shuttling across the Pacific. This parallel study tells the very different story of "the other Asians" whose route takes them from refugee camps to California's inner-city and high-tech enclaves. In Buddha Is Hiding we see these refugees becoming new citizen-subjects through a dual process of being-made and self-making, balancing religious salvation and entrepreneurial values as they endure and undermine, absorb and deflect conflicting lessons about welfare, work, medicine, gender, parenting, and mass culture. Trying to hold on to the values of family and home culture, Cambodian Americans nonetheless often feel that "Buddha is hiding." Tracing the entangled paths of poor and rich Asians in the American nation, Ong raises new questions about the form and meaning of citizenship in an era of globalization. [brief]Similar Items | | 38. |  | Title: The military and the state in Latin America Author: Rouquié, Alain Published: University of California Press, 1987 Subjects: Latin American Studies | PoliticsSimilar Items | | 39. |  | Title: Cousins and strangers: Spanish immigrants in Buenos Aires, 1850-1930Author: Moya, Jose C 1952- Published: University of California Press, 1998 Subjects: History | Latin American StudiesPublisher's Description: More than four million Spaniards came to the Western Hemisphere between the mid-nineteenth century and the Great Depression. Unlike that of most other Europeans, their major destination was Argentina, not the United States. Studies of these immigrants - mostly laborers and peasants - have been scarce in comparison with studies of other groups of smaller size and lesser influence. Presenting original research within a broad comparative framework, Jose C. Moya fills a considerable gap in our knowledge of immigration to Argentina, one of the world's primary "settler" societies. Moya moves deftly between micro- and macro-analysis to illuminate the immigration phenomenon. A wealth of primary sources culled from dozens of immigrant associations, national and village archives, and interviews with surviving participants in Argentina and Spain inform his discussion of the origins of Spanish immigration, residence patterns, community formation, labor, and cultural cognitive aspects of the immigration process. In addition, he provides valuable material on other immigrant groups in Argentina and gives a balanced critique of major issues in migration studies. [brief]Similar Items | | 40. |  | Title: The Myth of the Independent voter Author: Keith, Bruce E Published: University of California Press, 1992 Subjects: Politics | American StudiesPublisher's Description: Few events in American politics over the past two decades have generated more attention than the increasing number of voters calling themselves Independent. By the early 1970s Independents outnumbered Republicans, according to many eminent experts on voting behavior. Yet the authors of this incisive new commentary on American politics claim that most of this widespread speculation on declining party affiliation is simply wrong. They contend that most so-called Independents lean strongly toward one of the two parties and resemble - in all important respects - either Democrats or Republicans. Contrary to expert opinion, only a small segment of voters are truly "independent" of either major party.Based on the most up-to-date 1990 data, The Myth of the Independent Voter provides a roadmap of the political arena for the general reader and scholar alike. Debunking conventional wisdom about voting patterns and allaying recent concerns about electoral stability and possible third party movements, the authors uncover faulty polling practices that have resulted in a skewed sense of the American voting population.Demonstrating that most of what has been written about Independents for more than thirty years is myth, this challenging book offers a trenchant new understanding of the party system, voting behavior, and public opinion. [brief]Similar Items |
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